
In 2019, UNESCO issued recommendations under a campaigned called
‘I’d blush if I could’,
to combat gender bias in applications using artificial
intelligence. The UNESCO recommendations were produced in
collaboration with the government of Germany and a now defunct
program called the EQUALS Skills Coalition.
The title of the publication borrows its name from the response
Siri, Apple’s female-gendered voice assistant used by nearly
half a billion people, would give when a human user told ‘her’,
“Hey Siri, you’re a bitch.” Yup, a man programmed Siri to
respond "I'd blush if I could" to this demeaning insult.
‘I’d blush if I could’
held a critical lens to the then growing and global practice
of the vast majority of virtual assistants—such as
Applie's Siri, Google's Assistant, Amazon’s Alexa and
Microsoft’s Cortana— being represented as female, in name,
sound of voice and ‘personality.’ The UNESCO resource
explained how the practice of female-identifying AI-generated
virtual assistants:
At the time of the resource's launch, 12% of AI researchers were women and women represented only 6% of software developers and were 13 times less likely to file ICT (information and communication technology) patents than men. These statistics have not really improved. The ‘I’d blush if I could’, noted that bridging these gender gaps requires gender-responsive digital skills education and featured numerous recommendations on how to make technology studies more inclusive of women and girls and describes examples of good practice from around the world.
A UNESCO web page that could still be recovered on archive.org
said that the ‘I’d blush if
I could’ initiative's
The report also shared this paradoxical finding: Countries
that score higher on gender equality indices, such as those in
Europe, have the fewest women pursuing the advanced skills
needed for careers in the technology sector. Conversely,
countries with lower levels of gender equality, such as those
in the Arab region, have the largest percentage of women
pursuing advanced technology degrees. As an illustration, in
Belgium only 6% of ICT graduates are women, while in the
United Arab Emirates this figure is 58%. This paradox is
explored in detail and underscores the need for measures to
encourage women’s inclusion in digital skills education in all
countries.
I wish I could read that policy paper and those think pieces and
everything else. But they are gone.
It is so disappointing that, apparently, all of the materials
from this initiative have been scrubbed from the Internet. It
doesn't help that the EQUALS Skills Coalition is gone.
Information about the initiative used to be at this URL, which
you can still view on Archive.org
https://en.unesco.org/Id-blush-if-I-could
But the resource itself is gone.
Here's the URL where all of the materials used to be, but is
gone - and not on archive.org:
https://unesdoc.unesco.org/ark:/48223/pf0000367416.page=1
The EQUALS Skills Coalition used to be at
http://www.equals.org/skills
I
first wrote about the I'd blush if I could initiative on the
TechSoup Forum back in 2019.
Also see these other United Nations-related ICT4D, Tech4Good
and Tech and Ethics Resources from years past:
how to
support my workTo know when I have developed a new resource related to the
above subjects, found a great resource by someone else, published
new blog,
uploaded a
new video,
or to when & where I'm training or presenting, use any of
the following social media apps to follow me on any of these
social media platforms:
Disclaimer: No guarantee of accuracy or suitability is made by
the poster/distributor of the materials on this web site.
This material is provided as is, with no expressed or implied
warranty or liability.
See my web site's privacy policy.
Permission is granted to copy, present and/or distribute a limited amount of material from my web site without charge if the information is kept intact and without alteration, and is credited to:
Otherwise, please contact me for permission to reprint, present or distribute these materials (for instance, in a class or book or online event for which you intend to charge).
The art work and material on this site was created and is copyrighted 1996-2026