Finally watching the 2017 Tony Awards. Wonderful show, as usual – always the best awards show on TV. In addition to all the great numbers and Kevin Spacey as host, I was thrilled to see Mark Hamill on the show. Near the start of my Star Wars insanity, I followed every single thing the three main actors in the movies were doing, and that means knowing that Mark Hamill played the lead in The Elephant Man and Mozart in Amadeus on Broadway and won a Drama Desk nomination for his role in Harrigan ‘N Hart off-Broadway back in the day. And that Carrie Fisher was in Censored Scenes from King Kong and of Agnes of God on Broadway I couldn’t see those shows, living in Western Kentucky, so I would go down to the Henderson County Public Library, and look up photos and reviews of the shows in magazines and a book that came out every year and said who was in what, summarized the plots of the shows, and had photos.
So, when Mark Hamill came out, I cried, both because I knew he was about to somehow make a referral to our favorite Princess, and because via Star Wars, my dreams of Broadway were further cultivated.
One of the people who passed away that was listed in the tribute section was Gordon Davidson. I drove Gordon Davidson in my truck once. I drove him from the San Francisco airport to San Jose, so he could see a production of Holly Near’s one woman show at the theater where I worked. We had a delightful conversation – I’d worked with his daughter at the Williamstown Theatre Festival. Later, the company manager said I’d put him in such a good mood, it laid the groundwork for him to love the show (and he did) and transfer it to La Jolla.
This year, it’s the straight plays I’m dying to see on Broadway – except for the revivals of Hello Dolly and Sunset Boulevard, which I would kill to see, and Natasha, Pierre & The Great Comet of 1812, which looks and sounds fantastic. Indecent, Oslo, A Dolls’ House, Part 2, the revivals of The Little Foxes and Present Laughter and The Glass Menagerie.
But that said: I love musicals. And I was reminded of that recently not by the Tony Awards, but by seeing something I’ve avoided for a long time.
For reasons I’m not sure of, I have avoided seeing Rent. I never saw the play, and when people would put the soundtrack on, I would shut down, leave the room, ask for something else… it just did nothing for me.
More on that in a moment.
The very first musical I ever saw was probably You’re a Good Man, Charlie Brown at Henderson County High School, in 1974 or so. I would have been 8, maybe younger. I think I saw Snow White at the movies after that. If it weren’t for Disney re-releasing that and Cinderella and Sleeping Beauty and Mary Poppins and Song of the South and all their other early musicals, I’m not sure I would have seen any outside of high school productions – there was no cable TV, my little town had no community theatre, and I had no idea at the time that Great Performances on PBS wasn’t just opera.
I admit that I avoided the movie The Sound of Music until my Dad made me watch it. No, really, he pretty much made me watch it. Oh, how I loved it. Probably why I’m such an anti-fascist now… (“You’ll never be one of them…”).
But after that, I was introduced to most musicals via their soundtrack. Living in Western Kentucky, I was far, far from Broadway, and Broadway tours did not come our way. Camelot, Little Shop of Horrors, Les Miserables, Jesus Christ Superstar, Chess, Phantom of the Opera, Into the Woods – I was introduced to all of them and more via their soundtrack. It meant that, when I finally did see those musicals, on film or on stage, I realized I’d gotten some plot points wrong – just listening to the soundtrack means you can’t always know exactly how the story is supposed to be.
As I said, for some reason, just hearing a bit of songs from Rent did nothing for me, so I never saw it when I lived in the USA in the 90s. The film version was probably shown in Cologne when it was released in 2005 and I lived in Germany, but I made no effort to find out. It’s been on TV a few times since I moved back, and produced by community theaters here and there, but I never saw them.
Then, a few days ago, I was bored, and Ovation was showing Rent, and so I watched it, and I bawled and squalled and wanted to dance around the room. A pox on me for waiting so long.
I’m really glad I got to first see it as the film, because I got to judge it only based on that, not based on the Broadway show or the tour. I get really tired of the oh-it’s-not-as-good-as-the-Broadway-version crowd.
It’s the same with the movie version of Hair. I freakin’ LOVE that movie. If you saw it staged first, however, you usually don’t like the movie.
I wonder if I’ll feel differently about Hamilton once I finally see it. I think it will have to be a great production of it for me to get it. I’ve seen bits of it and it’s done nothing for me. I’m intrigued when I read about it – but not when I hear a bit of the music. Which is exactly how Rent has been for me all these years. So, someone please send me airfare and a ticket for Hamilton, please?
Other blogs where I have mentioned the Tony Awards:
Leave a Reply