
Nonprofits produce communications
products, online and in print, from web pages to social media to
brochures.
Whether that product is designed by a professional designer or is
designed by someone who has never had a design class, each of
those communications products needs to be:
It doesn't matter how attractive a poster is, it doesn't matter
how "cute" or powerful a logo is, it doesn't matter how much you
like the color scheme - if a published product doesn't have those
five qualities, it is not a quality communications product and
will not fully meet your communications goals. If it doesn't have
those qualities, you aren't going to have a good turnout for an
event, you aren't going to create support for your organization,
you aren't going to increase your donor base, and on and on.
There are a lot of terrific resources about how to make
accessible web sites. There are a lot of resources to advise on
the usability of online materials. But advice for design on print
products and graphics used in social media have been buried under
AI slop and click bait. The web page you are reading now, written
by a human with decades of experience overseeing designers, is
meant to help fill the gap in this lack of easy-to-find guidance.
Here's a checklist that can help you whenever you create any communications product, whether its a flyer, a poster, a brochure, or a graphic for social media, and can help the nonprofit executive director or marketing manager or whomever who is viewing a design know if it meets the five requirements from the top of the page:
Sometimes, you need to make two posters, or two social media
graphics, each with different information on it, instead of just
one. That means that you may need a poster for EACH event, rather
than trying to put multiple events on one image or product.
Someone should be able to merely glance at a poster or flyer or
web page and know, in general, what that page is about. If the
product is too busy, all someone may see is a lot of
easy-to-ignore text Or they may see one graphic that, while cute
or fun, doesn't represent the information you are trying to
convey. You may love that graphic representing American football
to use for your "kick off" event, but is it clear from the title
of the product that, in fact, what you are announcing or promoting
has nothing to do with football?
At a glance, I should know that you are announcing a volunteer
orientation. Or a theater production. Or openings to serve on your
board. Or a class. Or a kids' activity. Or that this publication
is your annual report - and for what fiscal year.
I use Canva. But I also make sure, when I use it, that I alter the graphics and design enough so that, if someone else uses the same template or starts out with the same graphic, our products will NOT look alike. You may think that's unnecessary, but TWICE I've seen two different nonprofits in my community use the same Canva graphic for their annual fundraising event. So many nonprofits social media accounts are starting to look the same as well. If you aren't taking photos of your own to use on social media and your web site, if you over-use Canva for graphics, you are going to look more and more generic - and be more and more forgettable.
It's pretty clear from the simple, almost primitive design of my web site that I'm not a professional designer. But when you work in communications for nonprofits, you often have to design flyers, posters, brochures, web sites, etc. My designs are plain and blocky. My designs won't win any design awards. However, my designs adhere to all of the aforementioned suggested qualities, and that means they work: I am amazing at recruiting volunteers, at getting attendance to an event, at getting participation in a program, at getting traffic on a web site, and on and on.
I once worked for a nonprofit that, before I joined, had all of
its brochures designed by an award-winning graphic designer. One
of his brochures won a design award. They presented me with the
brochure during my job interview. I looked at it for a moment, and
then I was honest: "I can't read most of this." The Executive
Director stared at me for a second and asked what the problem was.
So I went through all of the design issues: light-colored text on
light colored backgrounds, and text often too small for me to read
without squinting - and I was in my late 20s and didn't wear
glasses. I also held the brochure up and noted that, from even
just a few steps away, I had no idea what the brochure was for,
because the text was too small and the color scheme too hard to
read. I was amazed I still got the job. But we never used the
award-winning graphic design again.
My point is that, even if you are NOT a professional designer,
you know what your nonprofit needs. You know your audience, which
likely includes seniors and people over 40 who do not like to be
called seniors but also can't read 9 point fonts.
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